The first thing of note is the presentation and pacing. You have to look past these initial failings, because what lies beneath is undoubtedly a better, more refined experience that builds on the wonderful world navigation and character building of Fallout 3.

With so much of the way I play the game revolving around conversation, this hit me particularly hard – though, mercifully, the writing did keep me invested. Characters regularly look awful and happily block your path, hover in the air, or stand in the most unnatural positions during important dialogues. Bethesda’s open world still manages scale wonderfully, with you able to interact with everyone, accept dozens of quests, and choose how you want to solve every problem presented to you.īut there is a trade-off for this complexity and ambition, much of which manifests in the characters and their AI. To Fallout 3 veterans the similarities are striking – which, at times, feels like a failing. Exiting Vault 111 the stunning expanse of the open-world stretches out before you, and your journey of discovery begins. With nothing but a desire for revenge you head out into the world. Seemingly moments later you awaken in the empty vault. Your partner is murdered and your baby is taken by raiders – instantly establishing the game's motivation.

All is not as it seems, however, and upon being asked to step into a cubical to be “sterilized” you’re frozen for 210 years.ĭuring a brief moment of consciousness you watch helplessly as a harrowing scene unfolds. The sirens begin to wail and you run with your family to Vault 111, just in time to watch the bombs hit as you are lowered beneath the earth.

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